Martin (lost extended cut of horror film; 1977): Difference between revisions

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{{NeedingWork|lack of content and references}}
{{InfoboxLost
{{InfoboxLost
|title=<center>Martin (1977) (165-minute cut)</center>
|title=<center>Martin (1977) (165-minute cut) </center>
|image=Martinfilmposter.jpg
|image=Martinfilmposter.jpg
|imagecaption=Original film poster.
|imagecaption=Original film poster.
|status=<span style="color:red;">'''Lost'''</span>
|status=<span style="color:red;">'''Lost'''</span>
}}
}}
'''''Martin''''' is a 1977 horror film directed by George A. Romero. The film is considered a staple among vampire and horror films and was regarded by Romero as his favorite film.
'''''Martin''''' is a 1977 horror film directed by George A. Romero. The film is considered a staple among vampire and horror films and was regarded by Romero as his favorite film.<ref>https://www.popmatters.com/martin-george-a-romero-2544667607.html</ref><ref>Kane, Joe (2010). Night of the Living Dead: Behind the Scenes of the Most Terrifying Zombie Movie Ever. Citadel Press. p. 108. ISBN 978-0-8065-3331-5. </ref> Its plot follows a troubled young man (played by John Amplas) who believes himself to be a vampire.<ref>https://bloody-disgusting.com/home-video/3661764/george-romeros-martin-coming-4k-ultra-hd-blu-ray-summer-new-restoration/</ref>


The film was widely released in a 95-minute cut, but a longer cut of the film (alleged to be 165 minutes long) was originally prepared. Despite the film being shot on color film stock, the longer cut of the film would was likely intended to be in black-and-white to reflect Romero's original intentions. (In the final film, only the film's flashback sequences are presented in black-and-white.)
==Release==
The film was widely released in a 95-minute cut, but a longer cut of the film (alleged to be 165 minutes long) was originally prepared.<ref>http://www.vampire-world.com/filmpages/einzelnefime/martin.htm</ref> Despite the film being shot on color film stock, the longer cut of the film was likely intended to be in black-and-white to reflect Romero's original vision. In the final film, only the film's flashback sequences are presented in black-and-white.<ref>https://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=56832</ref>


On October 30, 2021, ''Martin'''s director of photography Michael Gornick (under his alias Ronald Gorewood)<ref>[https://twitter.com/dawnofthediscs/status/1454625724825055232 Dawn of The Discs on Twitter. 30 Oct '21.] Retrieved 31 Oct '21.</ref> announced that the director's cut had been found through the efforts of The Living Dead Museum and its owner and curator, Kevin Kriess<ref>[https://apnews.com/article/museums-coronavirus-pandemic-520fc33d5e161ebe5bc71c60cd33a0d8 "Living Dead Museum rising again at Monroeville Mall." AP News.] 20 Feb '21. Retrieved 31 Oct '21.</ref>. According to Gornick, the cut, which is the one Romero preferred, survives on three black-and-white 16mm film reels and runs around three and a hours long, and wrote, "May it soon return safely to the custody of [producer] Richard Rubinstein and Braddock Associates for digital revitalization and distribution to the world."<ref>[https://www.facebook.com/ronald.gorewood/posts/4824368504253697 Ronald Gorewood on Facebook. 30 Oct '21.] Retrieved 31 Oct '21.</ref>
==Availability==
On October 30, 2021, ''Martin'''s director of photography Michael Gornick (under his alias Ronald Gorewood<ref> [https://twitter.com/dawnofthediscs/status/1454625724825055232 Dawn of The Discs on Twitter. 30 Oct '21.] Retrieved 31 Oct '21. </ref> announced that the director's cut had been found through the efforts of The Living Dead Museum and its owner and curator, Kevin Kriess<ref> [https://apnews.com/article/museums-coronavirus-pandemic-520fc33d5e161ebe5bc71c60cd33a0d8 "Living Dead Museum rising again at Monroeville Mall." AP News.] 20 Feb '21. Retrieved 31 Oct '21. </ref>. According to Gornick, the cut, which is the one Romero preferred, survives on three black-and-white 16mm film reels and runs around three and an hour long, and wrote, "May it soon return safely to the custody of [producer] Richard Rubinstein and Braddock Associates for digital revitalization and distribution to the world."<ref> [https://www.facebook.com/ronald.gorewood/posts/4824368504253697 Ronald Gorewood on Facebook. 30 Oct '21.] Retrieved 31 Oct '21. </ref>
 
==References==
{{reflist}}


==External Links==
==External Links==
*[https://en.wikipedia.org/wiki/Martin_(film)#Alternate_versions Wikipedia article.]
*[https://en.wikipedia.org/wiki/Martin_(film)#Alternate_versions Wikipedia article.]
*[http://theghostdiaries.com/movie-review-martin-george-romeros-forgotten-vampire-film/ The Ghost Diaries film review mentioning the longer cut.]
*[http://theghostdiaries.com/movie-review-martin-george-romeros-forgotten-vampire-film/ The Ghost Diaries film review mentioning the longer cut.]
==References==
{{reflist}}


[[Category:Lost films]]
[[Category:Lost films]]
[[Category:Completely lost media]]

Latest revision as of 18:23, 10 September 2022

Martinfilmposter.jpg

Original film poster.

Status: Lost

Martin is a 1977 horror film directed by George A. Romero. The film is considered a staple among vampire and horror films and was regarded by Romero as his favorite film.[1][2] Its plot follows a troubled young man (played by John Amplas) who believes himself to be a vampire.[3]

Release

The film was widely released in a 95-minute cut, but a longer cut of the film (alleged to be 165 minutes long) was originally prepared.[4] Despite the film being shot on color film stock, the longer cut of the film was likely intended to be in black-and-white to reflect Romero's original vision. In the final film, only the film's flashback sequences are presented in black-and-white.[5]

Availability

On October 30, 2021, Martin's director of photography Michael Gornick (under his alias Ronald Gorewood[6] announced that the director's cut had been found through the efforts of The Living Dead Museum and its owner and curator, Kevin Kriess[7]. According to Gornick, the cut, which is the one Romero preferred, survives on three black-and-white 16mm film reels and runs around three and an hour long, and wrote, "May it soon return safely to the custody of [producer] Richard Rubinstein and Braddock Associates for digital revitalization and distribution to the world."[8]

References

External Links