El Apóstol (lost Argentinian first feature animated film; 1917): Difference between revisions

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'''''El Apóstol''''' (aka ''The Apostle'') was an Argentinian silent black-and-white animated film released in 1917.
{{InfoboxLost
|title=<center>El Apóstol</center>
|image=El_Apostol_flyer.png
|imagecaption=Flyer advertising the film.
|status=<span style="color:red;">'''Lost'''</span>
}}
'''''El Apóstol''''' (aka ''The Apostle'') is a 1917 Argentine silent black-and-white animated film.<ref>[http://awn.com/mag/issue1.4/articles/bendazzi1.4.html Page about Quirino Cristiani (also source of pictures).] Retrieved 18 Mar '16</ref> It was directed, written, designed and animated by Quirino Cristiani, whose two other animated features are also lost (''[[Sin Dejar Rastros (lost Argentinian animated film; 1918)|Sin Dejar rastros]]'' and ''[[Peludopolis (partially found Argentinian animated film; 1931)|Peludópolis]]'').


It was directed, written, designed and animated by Quirino Cristiani, whose two other animated features he made are lost as well. Character designs were made by Diógenes Taborda, a popular cartoonist at the time. Instead of using traditional cellulose animation, Cristiani would use flat puppets with rotating/removable members.
It is considered to be the first animated feature film (being 70 minutes long with a framerate of 14 frames per second), but all known copies were destroyed in a fire in 1926.


It is considered to be the first ever animated feature in history (being 70 minutes long, with a frame-rate of 14 images per second), but all known copies have been destroyed in a fire in 1926.
==Design==
Instead of using traditional celluloid animation, Cristiani would use flat paper cut-out puppets with rotating/removable members. Character designs were made by Diógenes Taborda, a popular cartoonist at the time.


The plot would have been a political satire, about then-Argentinian-president Hipolito Yrigoyen, wanting to cleanse Bueno Aires of immorality and corruption; he mounts into heaven and encounters the god of thunder Jupiter himself. Using his lightning bolts, Yrigoyen strikes Bueno Aires and the city is engulfed in flames, burning into ashes. Content, he decides to start anew, but then awakens, finding out that this was all a dream and is forced to face the harsh reality of complicated politics.
==Premise==
The film was a political satire about then-Argentine-president Hipolito Yrigoyen, who wants to cleanse Buenos Aires of immorality and corruption.


The fire scenes of the climax would have actually been filmed live, with models built by architect Andrés Ducaud.
Yrigoyen flies into heaven and encounters the god of thunder, Jupiter. Using his lightning bolts, Yrigoyen strikes Buenos Aires, and the city is engulfed in flames, burning into ashes, before he decides to start rebuilding the city.


No cel or poster of the film remain, apart from a few character designs by Taborda and a photograph of the Buenos Aires model.
He then awakens, finding out that this was all a dream and is forced to face the harsh reality of complicated politics.
Cristiani would later make another political satire animated feature starring Yrigoyen: ''[[Peludópolis (Lost 1931 Animated Movie)|Peludópolis]].''
 
==Legacy==
No stills or posters of the film remain, apart from a flyer advertising the film, a few character designs by Taborda and a photograph of the Buenos Aires model, as seen below.<ref>[http://quirinocristianimovie.com ''Quirino Cristiani: The Mystery of the First Animated Movies'' documentary.] Retrieved 23 Mar '19</ref>
 
Cristiani would later make another political satire animated feature about Yrigoyen: [[Peludopolis (partially found Argentinian animated film; 1931)|''Peludopolis'']].
 
==Gallery==
<gallery mode=packed heights=175px>
<gallery mode=packed heights=175px>
File:Irigoyen.gif|Character design of Irigoyen for the film, by Diógenes Taborda.
File:Irigoyen.gif|Character design of Yrigoyen for the film, by Diógenes Taborda.
File:El_apostol.gif|Another character design by Diógenes Taborda.
File:El_apostol.gif|Another character design by Diógenes Taborda.
File:Ducaud.jpg|Model of Buenos Aires used for the ending.
File:Ducaud.jpg|Model of Buenos Aires used for the ending.
</gallery>
</gallery>


==Video==
{{Video|perrow  =2
  |service1    =youtube
  |id1          =nwPIhXbqfg8
  |description1 =XtR's video on this subject
  |service2    =youtube
  |id2          =BBTHobNy9gU
  |description2 =El Debate's video on this subject
}}
==References==
==References==
{{reflist}}


http://www.awn.com/mag/issue1.4/articles/bendazzi1.4.html Page about Quirino Cristiani (also source of pictures)
[[Category:Lost animation|Apóstol, El]]
 
[[Category:Lost films|Apóstol, El]]
[[Category:Lost animation]]
[[Category:Historic|Apóstol, El]]
[[Category:Lost films]]
[[Category:Completely lost media|Apóstol, El]]

Latest revision as of 06:48, 19 March 2024

El Apostol flyer.png

Flyer advertising the film.

Status: Lost

El Apóstol (aka The Apostle) is a 1917 Argentine silent black-and-white animated film.[1] It was directed, written, designed and animated by Quirino Cristiani, whose two other animated features are also lost (Sin Dejar rastros and Peludópolis).

It is considered to be the first animated feature film (being 70 minutes long with a framerate of 14 frames per second), but all known copies were destroyed in a fire in 1926.

Design

Instead of using traditional celluloid animation, Cristiani would use flat paper cut-out puppets with rotating/removable members. Character designs were made by Diógenes Taborda, a popular cartoonist at the time.

Premise

The film was a political satire about then-Argentine-president Hipolito Yrigoyen, who wants to cleanse Buenos Aires of immorality and corruption.

Yrigoyen flies into heaven and encounters the god of thunder, Jupiter. Using his lightning bolts, Yrigoyen strikes Buenos Aires, and the city is engulfed in flames, burning into ashes, before he decides to start rebuilding the city.

He then awakens, finding out that this was all a dream and is forced to face the harsh reality of complicated politics.

Legacy

No stills or posters of the film remain, apart from a flyer advertising the film, a few character designs by Taborda and a photograph of the Buenos Aires model, as seen below.[2]

Cristiani would later make another political satire animated feature about Yrigoyen: Peludopolis.

Gallery

Video

XtR's video on this subject

El Debate's video on this subject

References