John Fahey & Red Crayola Collaboration Album (lost unreleased collaboration album between John Fahey and the Red Crayola; 1967): Difference between revisions
(Created page with "{{LMW |title=John Fahey/Red Crayola Collaboration Album |description=Unreleased John Fahey/Red Crayola Album |startyear=1967 |timeframe=No |status=Lost |category=Lost audio;Lost music |tags=us }} In late June 1967, Houston experimental rock band the Red Crayola travelled from Texas to California to perform at the Angry Arts and Berkeley Folk Music festivals during the Summer of Love. During a performance at the Berkeley Folk Festival, they were granted permission to...") |
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On July 9, 1967 Red Crayola opened for John Fahey at the New Orleans House. | On July 9, 1967 Red Crayola opened for John Fahey at the New Orleans House. | ||
“...the New Orleans House got a hold of John and asked him to play. He said he would if his friends the Red Crayola could also.”- Berkeley Barb, 1967. | ''“...the New Orleans House got a hold of John and asked him to play. He said he would if his friends the Red Crayola could also.”- Berkeley Barb, 1967.'' | ||
What ensued was the venue being emptied in less than 10 minutes and the Red Crayola being paid 10 dollars to stop playing. | What ensued was the venue being emptied in less than 10 minutes and the Red Crayola being paid 10 dollars to stop playing. | ||
“[Fahey] invited us to play, open for him at a club called the New Orleans House [...] We emptied the joint in ten minutes and they gave us ten dollars to stop, and we stopped. Then we decided we should try to record this nonsense for posterity. So we went to Sierra Sound […] spent one evening and did four master tapes [...]”- Mayo Thompson, 2023 [Psychedelic Baby Magazine] | ''“[Fahey] invited us to play, open for him at a club called the New Orleans House [...] We emptied the joint in ten minutes and they gave us ten dollars to stop, and we stopped. Then we decided we should try to record this nonsense for posterity. So we went to Sierra Sound […] spent one evening and did four master tapes [...]”- Mayo Thompson, 2023 [Psychedelic Baby Magazine]''<ref>https://www.psychedelicbabymag.com/2023/10/red-krayola-interview-mayo-thompson.html</ref> | ||
The lost recording session took place at Sierra Sound Laboratories in July 1967 and was set up by Fahey and his then manager Ed Denson. | The lost recording session took place at Sierra Sound Laboratories in July 1967 and was set up by Fahey and his then manager Ed Denson. | ||
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Bassist Steve Cunningham details Barry Melton from the band Country Joe & the Fish was also present: | Bassist Steve Cunningham details Barry Melton from the band Country Joe & the Fish was also present: | ||
When we were in CA for the 1967 festival, Ed Denson who was Country Joe & The Fish's manager and also John Fahey's, set up a recording session for John and us at Ed's studio [...] a day or so before we were to leave town. I remember Barry Melton of the Fish being there too. A few hours of tape were rolled as the Crayola did free-form stuff and the others joined in with whatever struck their fancy (our standard modus operandi). After the session we told IA [International Artists] about it, but instead of being pleased they focused on the legalisms around our being under contract to IA. They demanded the tapes from Denson, | ''When we were in CA for the 1967 festival, Ed Denson who was Country Joe & The Fish's manager and also John Fahey's, set up a recording session for John and us at Ed's studio [...] a day or so before we were to leave town. I remember Barry Melton of the Fish being there too. A few hours of tape were rolled as the Crayola did free-form stuff and the others joined in with whatever struck their fancy (our standard modus operandi). After the session we told IA [International Artists] about it, but instead of being pleased they focused on the legalisms around our being under contract to IA. They demanded the tapes from Denson, | ||
who surrendered them as requested. The tapes have sat idle for decades. | who surrendered them as requested. The tapes have sat idle for decades.'' | ||
[...] IA had already experienced a problem with the 13th Floor Elevators, who had previously recorded an entire album for another label, so when they heard about the new Red Crayola recordings they went ballistic... To avoid any possible legal implications Mayo was dispatched to collect the tapes and deliver them to IA. Despite searching through the stash of surviving IA tapes nothing remains of the Crayola/Fahey collaboration but hopefully someone has kept a safety copy which might surface one day. | ''[...] IA had already experienced a problem with the 13th Floor Elevators, who had previously recorded an entire album for another label, so when they heard about the new Red Crayola recordings they went ballistic... To avoid any possible legal implications Mayo was dispatched to collect the tapes and deliver them to IA. Despite searching through the stash of surviving IA tapes nothing remains of the Crayola/Fahey collaboration but hopefully someone has kept a safety copy which might surface one day.'' | ||
== Personnel == | |||
* Rick Barthelme | |||
* Steve Cunningham | |||
Rick Barthelme | * Mayo Thompson | ||
Steve Cunningham | * John Fahey | ||
Mayo Thompson | * Barry Melton | ||
John Fahey | |||
Barry Melton | |||
Revision as of 13:07, 5 January 2024
Status: Lost
Tags: us
In late June 1967, Houston experimental rock band the Red Crayola travelled from Texas to California to perform at the Angry Arts and Berkeley Folk Music festivals during the Summer of Love.
During a performance at the Berkeley Folk Festival, they were granted permission to meet up with John Fahey who was also present at the event for a collaborative performance, which mixed Fahey's folk music with the band's noisy avant-garde drone improvisations, which was met to mixed reception.
On July 9, 1967 Red Crayola opened for John Fahey at the New Orleans House.
“...the New Orleans House got a hold of John and asked him to play. He said he would if his friends the Red Crayola could also.”- Berkeley Barb, 1967.
What ensued was the venue being emptied in less than 10 minutes and the Red Crayola being paid 10 dollars to stop playing.
“[Fahey] invited us to play, open for him at a club called the New Orleans House [...] We emptied the joint in ten minutes and they gave us ten dollars to stop, and we stopped. Then we decided we should try to record this nonsense for posterity. So we went to Sierra Sound […] spent one evening and did four master tapes [...]”- Mayo Thompson, 2023 [Psychedelic Baby Magazine][1]
The lost recording session took place at Sierra Sound Laboratories in July 1967 and was set up by Fahey and his then manager Ed Denson.
Bassist Steve Cunningham details Barry Melton from the band Country Joe & the Fish was also present:
When we were in CA for the 1967 festival, Ed Denson who was Country Joe & The Fish's manager and also John Fahey's, set up a recording session for John and us at Ed's studio [...] a day or so before we were to leave town. I remember Barry Melton of the Fish being there too. A few hours of tape were rolled as the Crayola did free-form stuff and the others joined in with whatever struck their fancy (our standard modus operandi). After the session we told IA [International Artists] about it, but instead of being pleased they focused on the legalisms around our being under contract to IA. They demanded the tapes from Denson, who surrendered them as requested. The tapes have sat idle for decades.
[...] IA had already experienced a problem with the 13th Floor Elevators, who had previously recorded an entire album for another label, so when they heard about the new Red Crayola recordings they went ballistic... To avoid any possible legal implications Mayo was dispatched to collect the tapes and deliver them to IA. Despite searching through the stash of surviving IA tapes nothing remains of the Crayola/Fahey collaboration but hopefully someone has kept a safety copy which might surface one day.
Personnel
- Rick Barthelme
- Steve Cunningham
- Mayo Thompson
- John Fahey
- Barry Melton